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A wooded 18 th century sculpture possibly of Usha… Paris,...

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A wooded 18 th century sculpture possibly of Usha…

Paris, musée Guimet - musée national des Arts asiatiques

Ushas (उषस्uṣas), Sanskrit for “dawn”,[1] is a Vedic deity, and consequently a Hindu deity as well.

Sanskrit uṣas is an s-stem, i.e. the genitive case is uṣásas. It is from PIE *h₂ausos-, cognate to Greek Eos and Latin Aurora.

Ushas is an exalted goddess in the Rig Veda but less prominent in post-Rgvedic texts. She is often spoken of in the plural, “the Dawns.” She is portrayed as warding off evil spirits of the night, and as a beautifully adorned young woman riding in a golden chariot on her path across the sky. Due to her color she is often identified with the reddish cows, and both are released by Indra from the Vala cave at the beginning of time.[2]

Twenty of the 1028 hymns of the Rig Veda are dedicated to the Dawn: 


Priest-king from Mohenjo-daro. Indus Priest/King Statue. The...

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Priest-king from Mohenjo-daro.

Indus Priest/King Statue. The statue is 17.5 cm high and carved from steatite a.k.a. soapstone. It was found in Mohenjo-daro in 1927. It is on display in the National Museum, Karachi, Pakistan

Large square unicorn seal (25.) with perforated boss on the back...

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Large square unicorn seal (25.) with perforated boss on the back (26). The unicorn is the most common motif on Indus seals and appears to represent a mythical animal that Greek and Roman sources trace back to the Indian subcontinent.

A relatively long inscription of eight symbols runs along the top of the seal. The elongated body and slender arching neck is typical of unicorn figurines, as are the tail with bushy end and the bovine hooves. This figure has a triple incised line depicting a pipal leaf shaped blanket or halter, while most unicorn figures have only a double incised line. The arching horn is depicted as if spiraling or ribbed, and the jowl is incised with multiple folds.

A collar or additional folds encircle the throat. In front of the unicorn is a ritual offering stand with droplets of water or sacred liquid along the bottom of the bowl. The top portion of the stand depicts a square grid or sieve, that actually may have been a circular cylinder.

Material: white fired glazed steatite
Dimensions: 5.08 x 5.08 cm
Mohenjo-daro, HR 743
National Museum, Karachi, NMP 50.192
Marshall 1931: pl. CIII, 8

For Hindus the Divine is both immanent and transcendent, within...

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For Hindus the Divine is both immanent and transcendent, within and beyond. Siva is often considered formless and Sakti is manifest form, with the two united in Ardhanarishvara, half man, half woman. Siva’s bull mount and Sakti’s lion rest nearby.

(no identification of the picture given at site)

A masterpiece of Ellora - amazing Kailash temple dedicated to...

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A masterpiece of Ellora - amazing Kailash temple dedicated to Shiva. He is the world’s largest monolithic sculpture, hewn from the rock by 7000 laborers over a period of 150 years.

Greetings from Madrid. This is not to ask but to answer to your question on the painting you posted here (http://defterisk.tumblr.com/post/3584578349/amare-habeo-anne-louis-girodet-de-roucy). That is just one of the four allegories of the seasons painted by Girodet for the platinum cabinet in Casa del Labrador, near the royal palace of Aranjuez in Spain. The cabinet itself was designed for Charles IV of Spain by Percier and Fontaine (see here: http://digitalgallery.nypl.org/nypldigital/dgkeysearchdetail.cfm?trg=1&strucID=172672&imageID=102114&total=75&num=60&parent_id=169643&word=&s=¬word=&d=&c=&f=&k=0&sScope=&sLevel=&sLabel=&lword=&lfield=&imgs=20&pos=64&snum=&e=w). For a photo, go here: http://www.epdlp.com/edificio2.php?id=3577. Regards.

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Words fail me—- I really am much obliged, and am reblogging the image with the info you provided

amare-habeo: Anne-Louis Girodet de Roucy [Girodet-Trioson]...

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amare-habeo:

Anne-Louis Girodet de Roucy [Girodet-Trioson] (1767-1824) - The Spring (Le printemps), 1800-1802

Information generously supplied by an anonymous tumblr fellow from Madrid:

This is not to ask but to answer to your question on the painting you posted here (http://defterisk.tumblr.com/post/3584578349/amare-habeo-anne-louis-girodet-de-roucy). That is just one of the four allegories of the seasons painted by Girodet for the platinum cabinet in Casa del Labrador, near the royal palace of Aranjuez in Spain. The cabinet itself was designed for Charles IV of Spain by Percier and Fontaine (see here: http://digitalgallery.nypl.org/nypldigital/dgkeysearchdetail.cfm?trg=1&strucID=172672&imageID=102114&total=75&num=60&parent_id=169643&word=&s=&notword=&d=&c=&f=&k=0&sScope=&sLevel=&sLabel=&lword=&lfield=&imgs=20&pos=64&snum=&e=w). For a photo, go here: http://www.epdlp.com/edificio2.php?id=3577.

Notker the stammerer, monk of st. Gall, biographer of...

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Notker the stammerer, monk of st. Gall, biographer of Charlesmagne.


Tomorrow I am there,...

Notker the stammerer, monk of st. Gall, biographer of...

reblololo: Paul Peel Le repos, De

theancientworld: Gold bracelet in form of serpent, found in...

The Virgin Of Sorrows. Germaine Pillon (1585)

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The Virgin Of Sorrows. Germaine Pillon (1585)

missfolly: St Matthew and the Angel by Guido Reni, 1635-40

Saint Paul writing. From an early 9th century manuscript version...

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Saint Paul writing. From an early 9th century manuscript version of Saint Paul’s letters. Württembergische Landesbibliothek Stuttgart, HB II 54 (Description page in German). The manuscript is ascribed to the Monastery of St. Gallen under the scribe Wolfcoz. The picture follows an early medieval tradition of depicting the author of a text. It is believed to be one of the earliest depictions of Saint Paul in European art. The inscription says: “S(AN)C(TU)S PAULUS” and “sedet hic scripsit” (“he sits here and writes”).


the first page of Wolfcoz Psalter

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the first page of Wolfcoz Psalter

Christ as gardener…. Illumination by an unnamed painter;...

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Christ as gardener….

Illumination by an unnamed painter; f. Xv full-page miniature, two-piece, the upper part, Christ as a gardener Magdalena appears to Mary on Easter morning, in the background wooden houses on the river

St. Gallen Abbey Library, Cod Sang. 541

schubertiade: Solgud-symfonien (Sun God Symphony), 3 pieces...

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schubertiade:

Solgud-symfonien (Sun God Symphony), 3 pieces from “Baldur’s Dreams” (reconst. by Kaare Dyvik Husby), Op.81; I. Gudane gløymer mistelteinen (The Gods Forget the Mistletoe)

Composer: Geirr Tveitt

Performers: Ole Kristian Ruud, Stavanger Symphony Orchestra

dlpalinckx: Linda Butler. From the Rural Japan collection.

mediumaevum: Image: I hate it when I can’t find a bigger one,...

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mediumaevum:

Image: I hate it when I can’t find a bigger one, but here you can zoom it in infinately with lots of additional info

The earliest surviving illustrated surgical codex was made for the Byzantine physician Niketas about 900 CE. It contains 30 full-page images illustrating the commentary ofApollonios of Kition on the Hippocratic treatise On Dislocations (Peri Arthron) and 63 smaller images scattered through the pages of the treatise on bandaging of Soranos of Ephesos. The Apollonian paintings represent various manipulations and apparatus employed in reducing dislocations; each of the images is framed in in the Byzantine style in an archway of ornate design.

According to Karl SudhoffBeiträge zur Geschichte der Chirurgie im Mittelalter (1914) 4-7 the origins of these drawings go back to Alexandria or Cyprus where Apollonius wrote his commentary between 81 and 58 BCE, under the patronage of the king Ptolemaius (Ptolemy of Cyprus).

“They were undoubtedly transmitted directly from antiquity, and, therefore, represent the genuine Hippocratic traditions of surgical practice as transmitted through later Greek channels to Byzantium” (Garrison, Introduction to the History of Medicine 2d ed [1917] 108).

In 1495 Greek scholar Janus Laskaris purchased the Niketas Codex in Crete for Lorenzo de’ Medici. It was later acquired by Cardinal Nicolas Rudolfi, and is preserved in theLaurentian Library, Florence 

source

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