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verbalresistance: mohandasgandhi: US officials: Iran is...

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verbalresistance:

mohandasgandhi:

US officials: Iran is helping Syria’s Assad put down protests

Iran is providing Syria with gear to disperse the country’s pro-democracy protests and is helping Syrian security forces block and track Internet and cellphone use among protesters, according to unnamed US officials quoted by The Wall Street Journal.

Iran’s involvement, which could expand to other countries such as Bahrain, could challenge US and Saudi influence in the region, destabilize US allies, and heighten sectarian tensions, the Journal reported…

Syrian Army and security forces have brutally quashed most of the demonstrations, which call for an end to the country’s state of emergency and for other political reforms. While Syrian President Bashar al-Assad has promised reforms and launched a committee to study lifting the country’s decades-long state of emergency, little change has materialized so far.

The US has long been concerned about Iranian influence in Syria, which serves as the main conduit through which Iran sends weapons to Hezbollah and Hamas, and the Obama administration has unsuccessfully attempted to woo Damascus away from Tehran.

US officials’ decision to disclose that they have been tracking Iran’s efforts in Syria was made partially to reassure its Arab allies and Israel, who worry that the US is supporting the popular uprisings without thinking about the political consequences. The power vacuums created by the fall of strongmen could give Iran a tremendous opportunity to expand its influence, the Journal reported.

The Christian Science Monitor reports that if Assad’s regime falls, Iran will work to install a leader even more hostile to Israel and the West, Saudi Arabia will try to sever all ties between Iran and Syria and bring Syria back into the mainstream Arab community, and the US and Israel will try to prevent the country’s leadership from falling into the hands of an Islamist group or anyone hostile to Israel.

The US is also concerned that overt Iranian assistance to Assad could escalate the Shiite-Sunni tensions in the region.

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The complexities of the behind-the-scene relations of the uprisings are astounding if you analyse them… it’s all very cold war-esque, with multiple factions, Saudi Arabia, Israel/USA, Iran and the EU/NATO enabling and fighting proxy wars to meet their own wider political agendas and interests in the region; all pitted against the average man and woman on the street, the people who are actually doing the fighting and giving their lives, with the sole agenda of freedom.


i12bent: G.F. Händel - Lascia ch’io pianga -from Rinaldo Miah...

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i12bent:

G.F. Händel - Lascia ch’io pianga -from Rinaldo

Miah Persson, Freibruger Baroqueorchester, René Jacobs, Dir.

Let me weep
my cruel fate,
and let me sigh for liberty.
May sorrow break these chains
Of my sufferings, for pity’s sake.

(via blindedbyeverything)

missfolly: Krishna embraces Gopis - Gita Govinda Manuscript,...

printsandthings: Item Number 192.01 Richter, Christian,...

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printsandthings:

Item Number 192.01
Richter, Christian, 1587-1667, attributed to. [Funeral procession for Ernst I, Duke of Saxe-Gotha (?); men and children in 5 rows marching towards church entrance; first of a set of 3 prints; engraved German legend at bottom; attributed to Christian Richter]. 1675?
1 print (etching), 43.7 x 59.1 cm.

http://128.83.148.234/graphics/Box%2019/A_GEN_VARI_444_2(192).jpg

Item Number 192.02
Richter, Christian, 1587-1667, attributed to. [Funeral procession for Ernst I, Duke of Saxe-Gotha (?); men leading horses with banners, 1 mounted knight; second of a set of 3 prints; engraved German legend at bottom; attributed to Christian Richter]. 1675?
1 print (etching), 44.5 x 59.2 cm.

http://128.83.148.234/graphics/Box%2019/A_GEN_VARI_444_3(192).jpg

Item Number 192.03
Richter, Christian, 1587-1667, attributed to. [Funeral procession for Ernst I, Duke of Saxe-Gotha (?); hearse with coffin drawn by 8 horses, and mourners in 6 rows; view of castle of Friedenstein at upper left; third of a set of 3 prints; engraved German legend at top; attributed to Christian Richter]. 1675?
1 print (etching), 44.9 x 60 cm.

thishunger: aperfectcommotion: Linda Butler, Remains of a...

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thishunger:

aperfectcommotion:

Linda Butler, Remains of a Chapel at Villa Cambiaso, near Genova, Liguria

Private chapels were often constructed as part of opulent villas. In this villa, sat in two small rooms in balconies above the altar and heard the mass through a wooden grate. After the villa was abandoned in the early nineteenth century, robbers stripped it of everything of value including the cross in the chapel, leaving this hand-hewn ladder behind.

[thanks for the link, d.]

 

Beirut | Postcards From Italy The times we had Oh, when the...

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Beirut | Postcards From Italy

The times we had
Oh, when the wind would blow with rain and snow
Were not all bad
We put our feet just where they had, had to go
Never to go

missfolly:  Holding a Bowl of Dust by Ashley Cecil

Raoul Dufy… There is La Fee Electricite, one of the...

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Raoul Dufy…

There is La Fee Electricite, one of the largest frescoes ever created on  commission from the Paris Electric Company to illustrate the ‘House of Electricity’ for the Paris International Exposition of 1937.


Derain, Andre - 1906 Composition André Derain, (b. June 10,...

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Derain, Andre - 1906 Composition

André Derain, (b. June 10, 1880, Chatou, France—d. September 8, 1954, Garches), French painter, sculptor, printmaker, and designer who was one of the principal Fauvists.

Derain studied painting in Paris at the Académie Carriere from 1898 to 1899. He developed his early style in association with Maurice de Vlaminck, whom he met in 1900, and with Henri Matisse, who had been Derain’s fellow student at the Académie Carriere. Together with these two painters, Derain was one of the major exponents of Fauvism from 1905 to 1908. Like the other artists who worked in this style, he painted landscapes and figure studies in brilliant, sometimes pure colours and used broken brushstrokes and impulsive lines to define his spontaneous compositions.

Derain broke with Fauvism in 1908, when he was temporarily influenced by the works of the Post-Impressionist painter Paul Cézanne. Derain worked for a few years in a stylized form of Cubism, but by the 1920s his paintings of nudes, still lifes, and portraits had become increasingly Neoclassical, and the spontaneity and impulsiveness that had distinguished his earlier work gradually disappeared. His art underwent virtually no change after the 1920s, though his more conservative style brought him financial success.

Derain had considerable ability as a decorator and created theatrical designs, notably for the Ballets Russes. He also produced numerous book illustrations, often in woodcut, for works by authors such as François Rabelais, Antonin Artaud, and André Breton.

Revolutionary poster from the cultural revolution of...

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Revolutionary poster from the cultural revolution of China…

Vlaminck, Maurice de (1876-1958) - 1906 Portrait of the Artist...

Matisse, Henri (1869-1954) - 1905 Portrait of Andre Derain (Tate...

reblololo: Artist - Oveco (pour l’abbé Semporius) Title - The...

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reblololo:

Artist - Oveco (pour l’abbé Semporius)
Title - The fifth trumpet: the plague of locusts, (Apocalypse IX) c.970.
(via MONSTER BRAINS)

reblololo: Giovanni Stradano - Illustrations For Dante’s...

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reblololo:

Giovanni Stradano - Illustrations For Dante’s Inferno, 1587
(via MONSTER BRAINS)

Cezanne, Paul (1839-1906) - 1877c. The Eternal Feminine (Getty...


Biblia pauperum by letterepaoline on Flickr.

Horned god from Gundestrup Cauldron (100 BC) The Gundestrup...

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Horned god from Gundestrup Cauldron (100 BC)

The Gundestrup cauldron is a richly-decorated silver vessel, thought to date to the 1st century BC, placing it into the late La Tène period.[1] It was found in 1891 in a peat bog near the hamlet of Gundestrup, in the Aars parish in HimmerlandDenmark (56°49′N 9°33′E). It is now housed at the National Museum of Denmark in Copenhagen (with a replica in the National Museum of Ireland in Dublin.[2]

The Gundestrup cauldron is the largest known example of European Iron Age silver work (diameter 69 cm, height 42 cm). The style and workmanship suggest Thracian origin, while the imagery seems Celtic. This has opened room for conflicting theories of Thracian vs. Gaulishorigin of the cauldron

fugu-suicide: Takato Yamamoto. Huge scan from Yaso,Sense of...

Can’t tell whether this shaman is Siberian or North...

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Can’t tell whether this shaman is Siberian or North American, any suggestions?

acidadebranca: (via chronographically)

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