Bernard Picart (or Picard) (1673-1733) was a French book illustrator and one of the most outstanding engravers in the first decades of the 18th century. His most famous work - see: Designer Religion - was an enormous compendium of the world’s religions.
In ‘Neueröffneter Musen-Tempel’, a collection of mythological fables and stories (most notably from Ovid’s ‘Metamorphoses’) is presented, accompanied by sixty copperplate engravings by Picart. The illustrations are superior in quality, even as they appeared in 1733 in the fading light of the Baroque tradition. The fabulous ornate border patterns lend the compositions something of a formal quality like framed paintings; indeed, Picart drew inspiration for a number of his engravings from mid-17th century works by the Rubens student, Abraham van Diepenbeeck. But the majority of the designs are by Picart himself.
Motives listed for Picart’s illustration include: Alcyone, Alpheus, Andromeda, Apollo, Arethusa, Argonauts, Argus, Aristaeus, Artemis, Calais, Cassandra, Castor, Ceyx, Cycnus, Deucalion, Dioscuri, Echo, Enceladus, Endymion, Eos, Eurynome, Giants, Glaucus, Harpies, Heliades, Hera, Hermaphroditus, Hermes, House of Hypnos, Io, Iphis, Leander, Leucothoe, Lycaon, Memnon, Niobe, Niobids, Oeneus, Palladium, Pan, Perseus, Phaethon, Phineus, Polydeuces, Proteus, Pygmalion, Pyrrha, River Gods, Salmacis, Selene, Semele, Syrinx, Tantalus, The Flood, Tithonus, Trojan War, Troy, Underworld, Zetes, Zeus [source]
‘The Temple of Muses’ was published in France and Germany simultaneously in 1733 and includes captions in English, French, German and Dutch below each illustration. The images above are from a 1754 edition published in Amsterdam.