"Mona Lisa of Galilee", from the 3rd century city of Sepphoris, in what was then Roman Palestine. She is part of a large mosaic - whose main subject is Dionysus - which decorates the triclinium floor in a grand villa.
jaded-mandarin: mymahathings: theladyintweed: aleyma: "Mona...
drawpaintprint: Andrea del Verrocchio: Head of Medusa c. 1480,...
my-renaissance-museum: The Baptism of Christ (1493). Cima da...
The Baptism of Christ (1493). Cima da Conegliano. Located at the Church of San Giovanni in Bragora, Venice
magictransistor: William Hogarth. The Laughing Audience. 1733.
okpicturethis: Auguste Clésinger (1814-1883) Woman Bitten by a...
marikavera: Pistol Mama… Working uniforms very powerful indeed...
Pistol Mama… Working uniforms very powerful indeed #inspiration #marikavera #love #fashion #mujeresqueinspiran #powerful #naturalsensuality #uniforms
Photo
"The highest form of wisdom is kindness."
Winner Urban Photo Contest 2012 from Skyscrapercity.com Author...
"You live, you feel, you are lived and felt by others; therefore you are unhappily happy. I..."
- Frédéric Chopin, from a letter (via psych-otography)
biblioklept: The Kiss — Theodore Gericault
tierradentro: “Wolves”, Andrew Wyeth.
"…A cold paralyzing horror: a glimpse into the subhuman…the sickness of life beginning again: the..."
-
Theodore Roethke, notebooks
Straw for the Fire: From the Notebooks of Theodore Roethke
At his death, Pulitzer-prize winning poet Theodore Roethke left behind 277 spiral notebooks full of poetry fragments, aphorisms, jokes, memos, journal entries, random phrases, bits of dialog, commentary, and fugitive miscellany. Within these notebooks, Roethke’s mind roved freely, moving from the practical to the transcendental, from the halting to the sublime. Fellow poet and colleague David Wagoner distilled these notebooks—twelve linear feet of bookshelf—into a wise and rollicking collection that shows Roethke to be one of the truly phenomenal creative sources in American poetry. (thank you, 50watts) +
(via mythologyofblue)
reklamalemi: The collection belongs to artist Bradford Edwards,...
The collection belongs to artist Bradford Edwards, whose collection was showcased in the book Vietnam Zippos: American Soldiers’ Engravings and Stories 1965-1973 (Sherry Buchanan, University of Chicago Press, 2010). Source