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Belgian Cave at Uweinat…. The Mountain Uwaynat on the...

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Belgian Cave at Uweinat….

The Mountain Uwaynat on the border of Egypt, Libya, Sudan

Jebel Uweinat (1,934 m; جبل العوينات gabal al-ʿuwaināt “mountain of sourcelets”; also spelled Jabal, Djebel Al Awaynat, Auenat, Ouenat, Ouinat, Owainat, Oweinat, Uwaynat, Uweinat, Uwenat, Uweynat etc.) is a mountain range in the area of the Egyptian-Libyan-Sudanese border. The mountain lies about 40 km S-SE of Jabal Arkanu.[1] The main spring called Ain Dua lies at the foot of the mountain, on the Libyan side. The W foot (located at 21°52′29″N 24°54′16″E / 21.87472°N 24.90444°E / 21.87472; 24.90444 according to Hassanein)[1] is 618 m high, and overcast with giant boulders fallen because of erosion. [1] In general, the W slope constitutes an oasis, with wells, bushes and grass. [1] The area is notable for its prehistoric petroglyphs first reported by the Egyptian explorer Ahmed Pasha Hassanein—the discoverer of Uweinat, who in 1923 traversed the first 40 km of the mountain towards E, without reaching the end. [1] . Engraved in Sandstone, petroglyphs of Bushmen style are visible, representing lions, giraffes, ostrichs, gazelles, cows and little human figures. [2]


paganlovefest: Andromeda Chained to a Rock Henri Picou 1874

The first Perugino that I met which I like unreservedly- check...

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The first Perugino that I met which I like unreservedly- check out the flickr site- it nicely breaks down the painting into interesting details.

fernsandmoss: Egyptian Amulet in the shape of an ankh, 2nd-1st...

Submerged by the sea eons ago, leaving fossils on the high...

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Submerged by the sea eons ago, leaving fossils on the high plateau, the Kharga depression is hemmed in by giant cliffs and broken up by massifs, with belts of dunes advancing across the oasis. Southernmost of Egypt’s five oases, historically, Kharga’s importance was due to the desert trade routes that converged upon the oasis.

In the case of Kharga, this is made particularly evident by the presence of a chain of fortresses that the Romans built to protect the Darb el-Arbain, the long caravan route running north-south between Middle Egypt and the Sudan. The forts vary for size and function, some being just small outposts, some guarding large settlements complete with cultivation. Some were installed where earlier settlements already existed, while others were probably founded anew. All of them are made of mud bricks, but some also contain small stone temples with inscribed walls.

The capital, El Kharga is relatively unremarkable but it is the surrounding area that offers the most interest. Two of the oasis’ most evocative monuments lie just a few miles north of El Kharga. Although botched in a 20th century conservation fiasco, the 6th century Temple of Hibis dedicated to Amun-Re is one of the few Persian monuments left in Egypt. The rambling c. 4th century necropolis of al-Bagawat, which is built entirely of mud brick, is one of the oldest Christian cemeteries in Egypt. The 263 mud-brick chapels display diverse forms of mud-brick vaulting and faint murals. Just beyond here is an imposing ruined monastery – Deir el-Kashef.

amare-habeo: Georges Braque - The Chair (La chaise), 1962

Menhir Filitosa V - with long saber and short sword, largest of...

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Menhir Filitosa V - with long saber and short sword, largest of the menhir statues in the Filitosa Prehistoric Station. These statue-menhirs were probably representations of dead chieftains or priests of the bronze-age population of Corsica.

In Egyptian mythology, Sekhmet (also...

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In Egyptian mythologySekhmet (also spelled SachmetSakmetSakhetSekmetSakhmet and Sekhet; and given the Greek name, Sachmis), was originally the warrior goddess as well as goddess of healing Upper Egypt. She is depicted as a lioness, the fiercest hunter known to the Egyptians. It was said that her breath created the desert. She was seen as the protector of the pharaohs and led them in warfare.

Her cult was so dominant in the culture that when the first pharaoh of the twelfth dynastyAmenemhat I, moved the capital of Egypt to Itjtawy, the centre for her cult was moved as well. Religion, the royal lineage, and the authority to govern were intrinsically interwoven in Ancient Egypt during its approximately three thousand years of existence.


“A predynastic tomb of outstanding importance: some walls...

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“A predynastic tomb of outstanding importance: some walls are decorated with paintings. The motifs indicate that the tomb might have belonged to some kind of early king. The painting fragments are now preserved in the Egyptian Museum, Cairo.”

Kingship in Naqada !!

malebeautyinart: The Face of Pyrrhus by wamcclung on...

"Societies live by borrowing from each other, but they define themselves rather by the refusal of..."

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“Societies live by borrowing from each other, but they define themselves rather by the refusal of borrowing than by its acceptance.”

- Marcel Mauss, The Nation (1920).

Photo

The Serapeum was discovered northwest of the Step Pyramid in...

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The Serapeum was discovered northwest of the Step Pyramid in 1850 by the explorer Auguste Mariette, who became interested in Saqqara after traveling to Egypt to study Coptic texts. The story goes that Mariette observed the head of a Sphinx protruding from the sand near the Step Pyramid, which ultimately led him to the entrance of the necropolis where he discovered a burial hall of sacred Egyptian Apis bulls.

centuriespast: North AmericaTlingit peoples, Alaska/British...

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centuriespast:

North America
Tlingit peoples, Alaska/British Columbia
Shaman’s Amulet
ca. 1750–1800
Sperm-whale ivory
L. 4 3/8 in. (11.1 cm)
Raymond and Laura Wielgus Collection

APIS, a sacred bull worshipped at Memphis from the earliest...

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APIS, a sacred bull worshipped at Memphis from the earliest period, having probably been introduced into the religious system as early as the 2nd dynasty by the king Kaiechos, who instituted the worship of Apis and the bull Mnevis.

His name in hieroglyphs was Hapi, and meant “the hidden,” as he had to be discovered amidst the cattle, which was done by certain diacritical marks. According to the hieroglyphic inscriptions which accompany his form, he was the second birth or living incarnation of the god Ptah, the Egyptian Hephaestos or Vulcan. Apis is first mentioned and appears in the monuments of the 4th dynasty. The two bulls Apis and Mnevis are considered to have respectively represented the moon and sun, and seem both to have been buried at Memphis.

He was supposed to have been born of a virgin cow, rendered pregnant by a moonbeam or a flash of lightning. The mother of Apis, according to Strabo, had a part of the temple of the Apis reserved for her use; and the hieroglyphic inscriptions record a prophet or priest attached to her service. On the monuments she shares the honours of the bull, and is represented under the attributes of Athor as a goddess with a cow’s head. This cow had her especial name, these animals having each a separate appellation. According to the Greek writers Apis was the image of Osiris, and worshipped because Osiris was supposed to have passed into a bull, and to have been soon after manifested by a succession of these animals. The hieroglyphic inscriptions identify the Apis with Osiris, adorned with horns or the head of a bull, and unite the two names as Hapi-Osor, or Apis Osiris. According to this view the Apis was the incarnation of Osiris manifested in the shape of a bull. But besides this title, the monuments style Apis the son of Ptah, who was supposed to be his father by the sacred cow, or the second life of Ptah. Other monuments, indeed, declare him to have had no father, and to have been Onnophris or Osiris, but this conflict of ideas must have arisen from his material and spiritual nature, uniting the soul of Osiris or Ptah mystically with the sacred animal. Besides the mother of the Apis, a cow was annually exhibited to him decorated with the same insignia — that is, a disk between the horns and a housing on the back, to judge from the insignia found on the bronze figures of the Apis — and then slaughtered the same day, for no issue of the divine animal was permitted to exist.

According to other authorities several cows were kept in the Apeum on the announcement of the birth of an Apis, the sacred scribes and priests proceeded to verify the characters of the calf. The marks of the Apis were a black coloured hide, with a white triangular spot on the forehead, the hair arranged in the shape of an eagle on the back, and a knot under the tongue in shape of a scarabaeus, the sacred insect and emblem of Ptah, a white spot resembling a lunar crescent at his right side. These marks have been supposed to be for the most part certain arrangements of the hairs of the hide as seen in some animals. A house was built to the calf Apis facing the east, in which for four months he was nourished with milk. When he had grown up he was conducted, at the time of the new moon, to a ship by the sacred scribes and prophets, and conducted to the Apeum at Memphis, where there were courts, places for him to walk in, and a drinking fountain. According to Diodorus, he was first led to Nilopolis, and kept there 40 days, then shipped in a boat with a gilded cabin to Memphis, and he was there allowed to be seen for 40 days only by women, who exposed themselves to him. Like all the sacred animals his actions were oracular, and he had two chambers, his passage into one of which was deemed fortunate, and into the other unlucky. Thus the licking the garments of a visitor was supposed to prognosticate a tranquil but short life, and his refusal of the food offered to him by the hand of Germanicus, the approaching death of that hero. The actions of the children who played around his shrine or accompanied his processions were also considered oracular. The day of his birth was kept as an annual festival.

His life was not allowed to exceed 25 years, and should it have attained that maximum reckoned from the date of his enthronisation, the Apis was killed and thrown into a well, in which the priests asserted he had precipitated himself. This well was known to no one, and no one was allowed to reveal the place of burial. If the Apis died before the 25 years he received a splendid burial at Memphis in the Serapeum, for after death he was called the osor-hapi, or Serapis. This funeral was expensive; his body was placed in a barge, and accompanied by a procession of a Bacchanalian character, passing through the brazen doors of Memphis. As universal joy prevailed at his discovery, so his death threw all Egypt into a general mourning, and every one shaved off his beard. This mourning continued till the discovery of another Apis.

His birthday was celebrated by an annual feast, the natales Apidis, of seven days’ duration, during which it was supposed the crocodiles were innocuous, and a silver cup was thrown on the occasion into a certain part of the Nile, which was considered a flux of Apis. This festival coincided with the rise of the Nile.


One of the first official epitaphs for a bull Referred to by his...

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One of the first official epitaphs for a bull


Referred to by his “Horus names” and as “King of Upper and Lower Egypt,” “the perfect god, Lord of the Two Lands” offers bread and beer to “Apis-Atum, who wears his two horns on his head.” Prior to the Saite Period, Serapeum steles were dedicated by private individuals. Psammetichus I, the first king of the 26th Dynasty, had major renovation work done in the Serapeum, and royal steles may have appeared on this occasion.

The traceability of the sacred bulls


The stele, which commemorates the solemn burial of the bull, mentions all the major dates in its life:
“Year 23, 1st month of Shemu, day 15, under the Majesty of the king of Upper and Lower Egypt, Khenemibre, given life, eternally:
[There follows a description of the funeral: after embalming, the sacred bull was dragged on a sledge to its tomb. It was placed in a granite sarcophagus commissioned by the king, who also provided the shroud, amulets, and funerary furniture.]
The Majesty of this god departed for heaven in Year 23, 3rd month of Peret, day 6. He was born in Year 5, 1st month of Akhet, day 7. He was taken to the domain of Ptah in the 2nd month of Shemu, day 18. The duration of this god’s perfect life: 18 years, 1 month, and 6 days. Made for him by Amasis, given life and authority, eternally.”
Such a wealth of dates on the royal steles for the Apis bulls helped establish Egyptian chronology from the 26th Dynasty to the end of the Greek period.

Nefertiabet (nfr.t ỉ3b.t; “Beautiful One of the...

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Nefertiabet (nfr.t ỉ3b.t; “Beautiful One of the East”) was an ancient Egyptian princess of the 4th dynasty. She was possibly a daughter of Pharaoh Khufu.

[edit] Tomb

Her tomb at Giza is known (G 1225). The mastaba is about 24.25 x 11.05 m. in size.

A statue of her, now in Munich, probably originates from her tomb. She is best known from her beautiful slab stela, now in the Louvre.[1] Nefertiabet is shown seated facing to right. She is depicted with a long wig and a panther skin garment. Her right hand is extended to table. A table in front of her is piled with bread. Under the table offerings are depicted including linen and ointment on the left, and on the right offerings of bread, beer, oryx, and bull. On the right of the slab a linen list is depicted.[2]

The tomb originally contained one shaft which contained the burial of Nefertiabet. The shaft contains a passage and a chamber. Fragments of a white limestone coffin with a flat lid were found. A canopic pit had been dug in one of the corners of the chamber. The chamber contained some bowls and jars. An annex with one additional burial shaft was added later, but was completely plundered.[2]

aubade: Life of Raymond Lull, 14th century. Reproduced in An...

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aubade:

Life of Raymond Lull, 14th century.

Reproduced in An Illustrated History of the Knights Templar, by James Wasserman.

Although the precise location of Metjetji’s tomb is unknown, one...

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Although the precise location of Metjetji’s tomb is unknown, one of his titles—”protégé of his master Unas”—suggests that he was buried in the vicinity of this king’s pyramid in Saqqara. In view of the state of preservation of these highly fragile paintings, they must have adorned a hidden room rather than the offering chapel which was accessible to visitors.

They were painted in tempera on a base of alluvial Nile clay mixed with straw (known as “mouna” in Arabic) which was applied to the chapel wall and left to dry before being coated with two layers of finer clay, the outer one of which contained plaster.

The cobra is contained within a rectangular sign representing a...

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The cobra is contained within a rectangular sign representing a building (probably the royal residence) depicted according to the conventions of Egyptian drawing that remained in use until the end of the Roman Period. The outside, a decorated wall, and the inside (featuring the royal name) are visible. The rectangle is topped by a falcon, sacred to the god Horus whom the pharaoh incarnated on earth. The inscription thus reads “Horus Cobra”, naming the king, a successor of Horus in the royal palace. The names of most of the first Egyptian kings have been found in this form. The Horus name was to continue as the first of the king’s five official names, two of which were later surrounded by the characteristic oval of the cartouche.

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